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| 005 | 20230110144730.0 | ||
| 008 | 070930s2006 cc a 001 0 eng d | ||
| 010 | _a2006-275406 | ||
| 020 | _a0596008481 | ||
| 035 | _a(OCoLC)ocm63120395 | ||
| 035 | _a14363977 | ||
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_aTEF _cTEF _dTEF _dBAKER _dDLC |
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| 050 | 0 | 0 |
_aTR860 _b.A76 2006 |
| 082 | 0 | 4 |
_a778.5 _222 |
| 100 | 1 | _aAronson, Ian David. | |
| 245 | 1 | 0 |
_aDV filmmaking : _bfrom start to finish / _cIan David Aronson. |
| 246 | 3 | _aDigital video filmmaking | |
| 246 | 3 | _aDV film making | |
| 250 | _a1st ed. | ||
| 260 |
_aBeijing ; _aSebastopol, CA : _bO'Reilly, _cc2006. |
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| 300 |
_axviii, 290 p. : _bcol. ill. ; _c25 cm. + _e1 DVD-ROM (4 3/4 in.). |
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| 440 | 0 | _aO'Reilly digital studio | |
| 500 | _aIncludes index. | ||
| 505 | 0 | _aThe freedom of digital video -- Digital cinematography -- Composing a shot to fit your output medium -- Lighting for digital -- Shooting for effects -- Working with specialized camera mounts -- Recording audio, an overview -- Digital audio production techniques and strategies -- An overview of nonlinear editing -- Setting up your digital post facility -- An overview of composite images -- Compositing techniques to make your project look like it cost more than it really did -- Artistically using still images -- Creating titles, static and animated -- Bringing your title sequence into your project -- Color correction -- The concept of sound design -- Sound design, from nuts and bolts to fine tuning -- The release print -- The last step : negotiating a sale (and why you should always bargain up). | |
| 650 | 0 | _aDigital cinematography. | |
| 650 | 0 |
_aMotion pictures _xEditing. |
|
| 650 | 0 |
_aMotion pictures _xProduction and direction. |
|
| 856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/toc/fy0612/2006275406.html |
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0715/2006275406-d.html |
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