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  <titleInfo>
    <title>Full spectrum</title>
    <subTitle>prints from the Brandywine Workshop</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>Prints from the Brandywine Workshop</title>
  </titleInfo>
  <name type="corporate">
    <namePart>Philadelphia Museum of Art</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Edmunds, Allan L.</namePart>
  </name>
  <name type="personal">
    <namePart>Fine, Ruth</namePart>
    <namePart type="date">1941-</namePart>
  </name>
  <name type="personal">
    <namePart>Langdale, Shelley R.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">pau</placeTerm>
    </place>
    <dateIssued encoding="marc">2012</dateIssued>
    <copyrightDate encoding="marc">2012</copyrightDate>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>80 p. : ill. ; 30 cm.</extent>
  </physicalDescription>
  <abstract>Since its founding in 1972, the Brandywine Workshop has become an internationally recognized center for printmaking. In 2009 the workshop donated one hundred prints to the Philadelphia Museum of Art in memory of Anne d'Harnoncourt. 'Full Spectrum' celebrates this generous gift and documents and contextualizes the workshop's achievements over its forty-year history. All one hundred prints by the eighty-nine artists represented in the gift--including John Biggers, Barbara Chase-Riboud, Joyce de Guatemala, Sam Gilliam, Mei-ling Hom, Jacob Landau, Kenneth Noland, Betye and Alison Saar, and Kay WalkingStick--are beautifully reproduced. Cultural identity, political and social issues, portraiture, landscape, patterning, and pure abstraction are some of the many subjects explored in these works, underscoring the breadth of the workshop's conceptual and stylistic reach.</abstract>
  <note type="statement of responsibility">organized by Shelley R. Langdale ; essay by Ruth Fine ; with contributions by Allan L. Edmunds and Shelley R. Langdale.</note>
  <note>Published on the occasion of the exhibition Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, September 7-November 25, 2012.</note>
  <note>Includes bibliographical references (page 80)</note>
  <subject authority="lcsh">
    <name type="corporate">
      <namePart>Brandywine Workshop</namePart>
    </name>
    <topic>Exhibitions</topic>
  </subject>
  <subject authority="lcsh">
    <name type="corporate">
      <namePart>Philadelphia Museum of Art</namePart>
    </name>
    <topic>Exhibitions</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Prints, American</topic>
    <geographic>Pennsylvania</geographic>
    <geographic>Philadelphia</geographic>
    <temporal>20th century</temporal>
    <topic>Exhibitions</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Prints, American</topic>
    <geographic>Pennsylvania</geographic>
    <geographic>Philadelphia</geographic>
    <temporal>21st century</temporal>
    <topic>Exhibitions</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Prints</topic>
    <geographic>Pennsylvania</geographic>
    <geographic>Philadelphia</geographic>
    <topic>Exhibitions</topic>
  </subject>
  <classification authority="lcc">NE539.B73 A4 2012</classification>
  <identifier type="isbn">0300185480</identifier>
  <identifier type="isbn">9780300185485</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">140327</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230110151335.0</recordChangeDate>
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