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Full spectrum : prints from the Brandywine Workshop / organized by Shelley R. Langdale ; essay by Ruth Fine ; with contributions by Allan L. Edmunds and Shelley R. Langdale.

By: Contributor(s): Publisher: Philadelphia : Philadelphia Museum of Art in association with Yale University Press, [2012], copyright 2012Description: 80 p. : ill. ; 30 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0300185480
  • 9780300185485
Other title:
  • Prints from the Brandywine Workshop
Subject(s): LOC classification:
  • NE539.B73 A4 2012
Subject: Since its founding in 1972, the Brandywine Workshop has become an internationally recognized center for printmaking. In 2009 the workshop donated one hundred prints to the Philadelphia Museum of Art in memory of Anne d'Harnoncourt. 'Full Spectrum' celebrates this generous gift and documents and contextualizes the workshop's achievements over its forty-year history. All one hundred prints by the eighty-nine artists represented in the gift--including John Biggers, Barbara Chase-Riboud, Joyce de Guatemala, Sam Gilliam, Mei-ling Hom, Jacob Landau, Kenneth Noland, Betye and Alison Saar, and Kay WalkingStick--are beautifully reproduced. Cultural identity, political and social issues, portraiture, landscape, patterning, and pure abstraction are some of the many subjects explored in these works, underscoring the breadth of the workshop's conceptual and stylistic reach.
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Item type Current library Call number Copy number Status Notes Date due Barcode
BOOK Emirates National Library 1 Available VIRTUAITEM 0326031

Published on the occasion of the exhibition Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, September 7-November 25, 2012.

Includes bibliographical references (page 80)

Since its founding in 1972, the Brandywine Workshop has become an internationally recognized center for printmaking. In 2009 the workshop donated one hundred prints to the Philadelphia Museum of Art in memory of Anne d'Harnoncourt. 'Full Spectrum' celebrates this generous gift and documents and contextualizes the workshop's achievements over its forty-year history. All one hundred prints by the eighty-nine artists represented in the gift--including John Biggers, Barbara Chase-Riboud, Joyce de Guatemala, Sam Gilliam, Mei-ling Hom, Jacob Landau, Kenneth Noland, Betye and Alison Saar, and Kay WalkingStick--are beautifully reproduced. Cultural identity, political and social issues, portraiture, landscape, patterning, and pure abstraction are some of the many subjects explored in these works, underscoring the breadth of the workshop's conceptual and stylistic reach.

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